Judith Olson, piano

Judith Olson began learning piano as a required instrument during her first semester of college at age 17. "I had no choice. I was majoring in violin and biology and was required to take secondary piano." Two years later, in her second year of college at the University of Redlands in California, Judith auditioned and was accepted to The Juilliard School on both violin and piano.

"I aim to teach the student, not just the subject, tailoring my approach to each individual personality," says Judith of her teaching style. She emphasizes reading skills so that "my students will continue to play throughout their lives. I also want my students to be exposed to a huge range of styles of classical music and I insist that they all perform." Judith's studio includes children as young as four. With younger students Judith utilizes "pre-reading" exercises and games before the staff is introduced. "I generally write my own materials for the beginning stages." She is also open to teaching adults and often uses the same methods as with her younger student. "I find that many adult students enjoy feeling like a kid again."


Judith emphasizes performance with her students and often organizes concerts in which her students are featured not only as soloists but also in ensembles. In the past Judith has commissioned works for her students and also supports students who want to compose themselves by programming their works in recitals.


As a performer, Judith is both a solo and collaborative musician, and has toured throughout North, Central and South America, Europe, the Middle East, and Korea. "The solo literature is endlessly fascinating. There is always more to explore. Because of my early years as a violinist, I have a special affinity for working with them. I also enjoy working with living composers on their pieces."

Judith also continues to pursue a long-time interest in ballet. In her ballet classes she is constantly reminded of "what it feels like to be a student." She also enjoys playing with her three cats and collecting non-commercial jazz tapes of artists such as Bill Evans and Do